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- interval
- ajor; else = second </col> <col sm="6"> == Famous Songs == * pure first: //Danke für diesen guten Morge... ' = major second up </col> <col sm="6"> == Famous Songs == * minor second descending: //Mary Had a Litt... E' = major third up </col> <col sm="6"> == Famous Songs == * minor third descending: //Hey Jude// (The ... -F'= pure fourth up </col> <col sm="6"> == Famous Songs == * descending: //Halleluja// (Händel) * asc
- chord progression
- &nolink&nodate&nouser&nomdate&noeditbutton}} Many songs and popular pieces of music contain characteristi... used in [[https://en.m.wikipedia.org/wiki/List_of_songs_containing_the_50s_progression|numerous pieces of... [[http://www.bytownukulele.ca/Portals/UkuleleClub/Songs/uke_chord_progressions.pdf|Fingering tables with
- chord-melody
- n:stil:jazz]] guitarists. [[melodie|Melodies]] of songs and other tunes are [[Harmonie|harmonized]] in a ... Chord Melody Solos: Tips and Tricks for Arranging Songs on the Ukulele//. Mel Bay Publications 2013 (ISBN
- call and response
- so secular [[en:stil:blues]] and [[en:stil:jazz]] songs take the form of call and response. In everyday working life, echo songs were often used to rhythmically structure and mak
- AABA
- youtube>KWa1vqT2f_w}} </panel> <panel title="AABA Songs"> * {{pdf:kirche:o_little_town.pdf|O Little Tow
- AB
- [[Grundton]]. Other binary forms are AA and AA'. Songs consisting of repeating, melodically unchanged ve
- ABA
- rm. The [[blues12]] has the AAB form, modern pop songs often [[AABA]]. <panel title="Videos"> {{page>vid
- chord sheet
- kord|chords]] in a piece of [[en:vok:musik]]. For songs, the lyrics sung to these chords are written in t
- sustain
- My goal is quite different: pick up your favorite songs, slow them down, play them quieter and softer, an
- bridge (music)
- icology, //Steg// designated the interlude in the songs of the //Meistersinger// that preceded the repeti
- Chordpro
- annotation (not shown in ouptput) | * Several songs can be compiled to songbooks. </panel> <panel ti
- contrafact
- he [[en:stil:barock]] period to subjugate secular songs with sacred texts. Often, contrafacts also serves
- lute
- ations of the //Candigas de Santa Maria// (Marian songs, 1257--1275), the Moorish and the Latin //guitar/
- lead sheet
- signs marked above the staff and (in the case of songs) the lyrics beneath the staff. Thus, the lead she
- Madeira
- he listener's ear is aching with attention. These songs are usually of their own composition, and are imp