Suche
Unten sind die Ergebnisse Ihrer Suche gelistet.
Volltextergebnisse:
- expression
- us genres of music, e.g. when comparing [[en:stil:klassik]] music with [[en:stil:jazz]] and pop music, "con... > In the conception of [[stil:barock]] and [[stil:klassik]], music represented a "language of sensation";((
- tempo
- 17. Book VII, chap. IX, p. 208.)) Also, [[en:stil:klassik:Mozart]] called tempo "the most necessary and har... however completely uneven. Until the [[en:stil:klassik]] period, it was also common to change the tempo
- AABA
- in U.S. pop music that was adopted from [[en:stil:klassik|classical]] music. A piece consisted of two parts
- intro
- nding to the prelude or the overture in [[en:stil:klassik|classical]] works, which should lead to the main
- period
- l> </panel> <panel> A famous example is [[en:stil:klassik:Mozart]]'s Piano Sonata K. 331: <carousel> * {{
- fourth cadence
- til:jazz]] music, but it also occurs in [[en:stil:klassik]] music. In addition, it is suitable for practici
- sentence
- sic theorists also see, particularly in [[en:stil:klassik]] [[musik]], a third part as a continuation or de
- grace note
- g// melody note must be shortened), in [[en:stil: Klassik]] music however before the beat (thus the //prece
- maple @en:vok:klangholz
- rable for certain parts of the **modern [[en:stil:Klassik|classical]]** guitar repertoire, which has at thi