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Passende Seitennamen:
Volltextergebnisse:
- Blue Note
- te|fifth]] and small [[septime|seventh]] to the [[tonart#root note]]. However, for the practice of playing... is creates a deliberate ambiguity in the [[en:vok:tonart#gender]] of the melody, which is interpreted as m
- harp ukulele
- The bass strings can be matched to the [[en:vok:tonart|key]] or the [[en:vok:stimmung]]. The first harp
- intro
- uch as [[melodie]], [[rhythmus]], [[tempo]] and [[tonart|key]]. Often it is two, four or eight [[takt|bars
- capo
- In this way you can play in a different [[en:vok:Tonart|key]] without having to change the picking patter
- chord-melody
- d that the melody changes accidentally into the [[tonart|key]] of the dominant. Therefore, the fifth may o
- modulation
- ], modulation refers to the transition from one [[Tonart|key]] to another. There are different techniques
- circle of fifths
- t the relationships between the major and minor [[Tonart|keys]]. Its inversion is called [[quartenzirkel]]
- sequence
- h [[modulation]] and therefore leads to another [[tonart|key]]; in a **tonal sequence** the key remains th
- key
- ===== key ===== {{page>kopf:vok:tonart&nofooter&nolink&nodate&nouser&nomdate&noeditbutton}} In tonal [[Mus
- transposition
- transposition often requires a change of [[en:vok:tonart|key]], which is why the [[en:vok:vorzeichen]] hav
- key signature and accidentals
- gnature === Key signatures indicate the [[en:vok:tonart|key]] of an entire piece of music or a section of